![]() ![]() ![]() A maintenance guy potters in to adjust the boiler while a near-delirious suspect struggles to fabricate an acceptable confession.įrom the first, the tone is marked by incongruous comedy. The basement boiler-room is the scene of wrongheaded hardball and torture, as Park's sidekick stamps on suspects with duster-wrapped boots. The only female officer is confined to making coffee this masculine world of snacking and petty corruption breeds negligence. Under a low ceiling, the air fills with smoke and a cop sticks photos of suspects in a scrapbook. The police station is presented as a clunky old office in bleached-out grey and beige. As two combative detectives - lazy local detective Park and his lean city rival Seo - clash, then gradually discard their contrasting professional principles, Bong tells a devastating story about the failures of both corruption and rigour and suggests a pessimism leeching through Korean society. Bong Joon-Ho's remarkable film goes beyond telescoped details of the failed investigation to construct a desolate portrait of the rents in civil society. Memories of Murder is based on a series of unsolved murders that took place between 1986-91 in provincial South Korea: ten women were raped and murdered but the killer was never brought to justice. He passes the location of the first murder, where a girl says another man recently revisited the spot. In 2003, former Detective Park is now a salesman. Seo tries to compel a confession from Park Hyun-Kyu, but the DNA test proves inconclusive. Kwang-Ho, who witnessed one of the murders, dies in an accident before he can identify the killer, and a schoolgirl becomes the next victim. The interrogation of this young man is ruined by Detective Park's thuggish sidekick, and Park Hyun-Kyu is released pending DNA tests. Seo finds a woman who escaped the killer, and then a young man called Park Hyun-Kyu (Park Hae-Il) who arrived in the town shortly before the first murder. Park, desperate to regain credibility, visits a shaman and arrests another suspicious, but innocent, suspect. Kweon Kwi-Ok (Koh Seo-Hee), the team's only female officer, discovers a radio show that has received a request for an identical song on the day of each killing, but the caller's details have been discarded. Seo constructs a detailed picture of the crimes, all of which take place in the rain. Seo suggests that a missing woman is probably another victim her body is subsequently discovered. Kwang-Ho is released and the head of the investigative team replaced. A younger detective, Seo Tae-Yoon (Kim Sang-Kyung), arrives from Seoul to join the floundering investigation. Detective Park Doo-Man (Song Kang-Ho), who works on instinct, attempts to extract a confession from village idiot Kwang-Ho (Park Noh-Sik). ![]() In 1986, the local police force in a small Korean town investigates a series of murders of women. Our synopses give away the plot in full, including surprise twists. ![]()
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